Reactive Light Spectacles

Faure

Sometimes I happen to have a look at news from newspapers or television news. I remain thrilled by the news of violence that we propinano regularly. The world is just violence. The initial impression in what is shut in the house and not go out because it seems that violence is at the door of the house. Then, since the maturity and their beliefs are stronger than the feelings I stop and think.
I lived in a community where violence has always been this: poverty, crime and so on.
Our small town had limits of the territory, people and communication. 4000 lost souls confined in the mountains. I had few contacts with neighboring countries Scido, Cosoleto, Saints George and lubricity. Gioia Tauro, Reggio Calabria Palmi and were already far away and very important as a city. As in any community you met the faults and virtues, in miniature, of humanity. So the few shocking news was limited to a few thousand people and a few events. The latter were
discussion material, surveys and discussions for months, until they fade completely.
Another very important thing was the control of the territory. Activities performed by the entire population. Parents home inspectors, parents and the rest of the country the rest of the territory.
The safety of children and everyone else was delegated to the country. This activity was carried out almost flawless. Of course it was not all that glitters is gold, the deviance existed, but a warning to us all about what you should not do.
The house and the road was our physical and spiritual fitness. Respect the property of others and that common rules were inflexible.
Like all children and young people are always trying to break the rules, but you knew that each case corresponded to an effect, punishment. A balance of civilized life and inner. There was a small garden in the square before the church of Paracorio, who was a bloom of roses and azaleas. Li is observed none of us guys ever thought of crossing the border established by the community. They were and are respected. Many elderly sitting on the benches were standing guard that which is not supposed to do.
This analysis makes me understand many things. Violence has always existed where there is the human race. At one time the news was violent in the place where you lived or in the surrounding countries. The news of the acquiree the metabolism because the slow time was also used to this. The people he lived as an isolated phenomenon and trauma. Without serious, but innate in human growth. Not seen by enemies on all sides, is mending from the shock and continued life. There was a supportive and responsive social fabric that gave strength and safety.
Now we have delegated our daily life to a strong showing, leading us, raise our children, and then informs us We care: television. Many years ago a typical expression of it was "the television said," as if it were absolute truth. E 'in place in recent years a sort of psychological dictatorship. It is delegated to the dominant force in our lives through a tool television.
Every talk show has always been a good boy of the moment that scares us and the next good psychologist who reassures us with his experience, or the great criminologist or the great strategist of the war.
give us an endless amount of news reports of violence that happen thousands of miles away making it seem to happen near your home. As it happens always stories of poor bastards psychos, but strangely ordinary people. Never someone above the parties. We always dissect the miseries of the people of a social, but never of influential people. Strange combination.
All these fears sent daily through these programs and television news junk you are serious enough that people will close more and more in the home. No social network is increasingly isolated. So everything else to the voice of the strongest television. There can be no culture where there is no dialogue. But culture is not only learned through study, is determined by the contact, experience and compliance.
Our roads are increasingly empty, our children are taught more and more insecure and unfortunately no longer with us.
Maybe it's time to reclaim the territory, not delegating to others our security, but is pursuing the traditional experience through the centuries from our communities.

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The culture of survival

In a world where the "winners" are the masters of our destinies and our lives, that is if the "losers" at heart.
He left at age 20 from Delianuova but without the cardboard suitcase with a cultural baggage. With
intention not looked back. I saw my defeat in that country. That place for me and those people were the ugliness of my life. Every memory, every place and every gesture was my defeat. Twenty years
lost. So it feels when one has to go. Leave everything. I arrived at Pavia University
young and enthusiastic. Made wonderful place for young people and culture. Always wanted a world where you could discuss all you wanted without fear.
I'm here this is my world. I was young, full of life and outlook. Beautifully
pastor appealed to me. Where did you leave the sheep?. "How long is the life of shepherds in the Aspromonte. An enlightened world and diverse culture and origin. Yet the burden of Aspromonte never left you in that world different from mine, where intelligence is the prince. I learned that it is not. Shoot I was wrong to be born. All that remained of my previous life was a keeper of the Aspromonte. My previous life had been wiped out. He began to remove all the pieces.
These are the moments that can make you react or shoulder.
The ultimate solution was the most appetizing. Sure I think about how to start.
One thing remained, and remains, a phrase lodged in the depths of my brain "Meiju who go to the TIA and fance Spisa. Phrase repeated ad nauseam by my parents. Sounding phrase is always trying to improve in life. Do not ever disheartened "by chjiu scuru menzanotti no veni mai"
course did not lack the courage nor the baggage of life. But even more humility and dignity of poor people. To build a house you need good foundations.
Years later I think about those moments. There was a discontinuity, as I thought, but a continuation of the previous life of the same. Emigrating, although for me it was a migration of luxury, you lose a part of themselves, and with history, in a world that is not ours. A world where, he said a lady who emigrated, you have to do the double of another place where you live. One to be accepted and the other to perform your normal duties. So in these situations, bow your head and move on.
Dignity the losers have always been the spring that has overcome any obstacle.
My culture that once I removed is returning to the surface.
Not long ago I made an exam for one of our older fellow villager said, "nui ndi ndi Jimmu trovammu Bentu and i ja". He found peace, but the price was superhuman to be able to integrate into a culture different from ours.
I think back to when I left and I finally signed un'armistizio my past.
I think of all the elderly with fingers gnarled and bent, I think of our elderly with the serene face also with broken bones from work and say these people have built and spread a culture of healthy and strong rule of law, solidarity and moral principles. People poor but a great knowledge of life. People who lowered his head but was always able to pass the best of our culture. Without work, persistence and seriousness in their choices. Not defeated but victorious because they have instilled in us a great desire to "go cu u mejiu the TIA and to fance Spisa.

Looking In Full Mirror

Don Gaetano Villivà

To a great person of our time, humble in the midst of the humble.

Villivà Don Gaetano, who was born in Newfoundland (RC). The

05/05/1946, from Santa Giorgia came to our parish Paracorio SMAssunta as treasurer.
On November 20, 1952 he was appointed pastor at our church.
died April 2, 1981 at Delianuova.

A brief biographical history of a great man.

"you became a communist," he said, when a university student, I found him on top of the staircase at the front door of the church. It was his custom to stand there before the mass.
gruff man, by means brisk but always with a smile on the lips.
historical memory of our neighborhood and secrets in the confessional.
Again with the black robe and his white collar. An indefinite amount of buttons that still remains a mystery to me as we put to button in the morning.
has grown many generations, including mine, with reproaches, to flip a few times but always happy next to us.
It 'was one of the men honest and serious in my life I have come across. A fortune. Always with a handkerchief in his hand to wipe the sweat from his forehead, which was always plentiful, especially during the processions. Mostly
winter evenings and in other seasons as we were in the oratory, there was a large room where the ping-pong and table football. Next to the room was his lodging. In our exuberance, typical of children and teenagers, we produced a deafening chaos. They were the few times I came to silence. He understood our desire to have fun. When it was because we passed the limits. Always arrived with his black robe, a few words but the mere presence was enough, and all in silence. We had a huge respect for him.
His harvest were the mirror of his person, straightforward, a few words and great humanity without being redundant. They were a pleasure their brevity, but of great intensity. His
500 white, always clean, rarely used except to go to school or to other committees outside the country. I've never had as a teacher and this is a bit 'I'm sorry. From altar boy I remember the endless hours of processions, particularly that of the Assumption on August 15. We lined up to 2 kids, we were in a lot behind him and watched our order and at the same time fulfill their duties as a priest in a function. Some of us had in his pocket to munch on something, given the slow pace and tempo of the procession, he smiled and pretended nothing.
We had nothing but it was a pleasure to have him as pastor. Passover was the happiest day for us altar boys. We all gave us the paschal lamb of marzipan. It was the greatest gift. A delicacy that many of us could not afford, was the "gift". The only one I could have in our poverty. Bring quell'agnello home was like having a trophy.
He was never flashy, never not overflowing, those who commanded respect just by the mere presence.
Catholic action, living, composed by so many people behind the scenes and our Don Villivà watched, as well as the daily lives of us all. From
altar boys in the sacristy was a perennial struggle to those of us who appropriates the bell. Disputes between children, sedated, but without intervening on our quarrels. There were no rich or poor for him there were only men.
There are no words to describe a man who was for us, with our parents, a moral guide.
Great in its simplicity, sweet and surly in his being generous with those who did not. He helped many poor people economically, with much reserve, in the silence like the great men.
E 'was a part of our life, our secrets in the confessional.
A man who does not forget and that will remain within us.

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To my mother and all women

Cu bell of hope died disperatu
prophetic proverb in a country where:
there sunnu uocchi ciangiri eg.

Delianuova, and then Pedavoli paraforio, Aspromonte that country to get there, until the beginning of 1940, there were no roads except mule. Add to was dependent on the mood of the time (weather), which decided if we could open the outside or remain isolated for long periods. The Levantine, snow, these rivers were the limits to the evolution of a particular area such as ours.
'Mbasciti Juncu jiumara AC passes.
The common people and especially women were the final part that is subject to certain taxes: the nature, the old woman, the 'Ndrangheta and so on.
fimmina and Na na na Sumerian fannu beast.
Poor, wretched always submissive and even laughed ironically.
Cu 'ndavi fimmani no' ndavi Onur.
History is always written by the victors. The losers have always been / relegated you / you in a role very least.
I Fimmina sbajiunu and mascula trascuranu.
life of our women have always been relegated to a minor role, patriarchy has always was dominant. In addition to daily work, including ' ncozzare (submit) to satisfy the sexual desires.
'Ncozzare a term frequently and very significant in the poor population. It 'ncozza in games, the old woman, to seeing strong, at the offender, etc. .. A life of 'ncozzati.
What is life at the bottom of a pack, the weakest succumb. I read from
Schidon chronicles 1870-1930 and customs, descriptions of practice in our area, as far as my experience did not stop even to 1930 until the 80 had not changed much, "most Women working in the fields to pick olives, chestnuts, acorns, assists men in the work of the garden, adapting with hoes, watering and planting, or carrying bundles of firewood on his head and into the branches infasciate tortagna (twisted rod of chestnut). "
read a story seems so romantic and great charm.
U dogs du patron muzzica sciancatu u always.
The Picker olives were slaves, without rights and many obligations.
wakes at dawn to reach the bottom where to pick olives. In modern times, with cars or trucks, could afford the luxury of sleeping in their house. In the past few instead of sleeping in dorm rooms all clustered close to the funds with their children, like animals.
start their day in the same position. Back bent forward, head down and always pointing to the ground and legs outstretched. With fardale always wet, or worse still wet and full of olives. Their nails during this period of employment did not grow because they were always in contact with the ground and rubbed. But not only did not grow during the olive harvest time, even years later infamous for this job. The collection period was from November to April and who knows the climate in this period in our area knows what was and is forgiving the time.
It started at 7 to 7.30 and continued until 12, when there was time for lunch.
Each pulled from their sarvetto what little they had: melangiani sutt'ojio, pumadori so, saliprisa and breads. It was their moment where you could rest a little 'chat. One hour was the one who decided who commanded and controlled, because ...
to CIRA squajia procession and no fireplace.
It resumed at about one and so up to 5.
But it did not end, you had to carry over your head, how far the truck and transported to the mill, bags full of olives Zambara weighing about 30 kg.
U citrolo should always nculo all'ortolanu.
Go home it took over the job of mother and wife.
The chestnut harvest was a different job. Make up for miles
½ pounds of wood on his head was not even fun.
Regarding assist the man in the garden. The only thing that aids the man was the first part that is the hoe to make the land more friable and then it was always the woman to govern.
Not even at parties was driven off.
I think one thing that history should give credit to these women who are basically always been and always will be the backbone of humanity.
I think their wisdom would have avoided many of us to seek other worlds in our future and our freedom.

Greetings and Happy Birthday Maria

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U carvunaru (The charcoal)

come from a family where the craft of charcoal has been confessed and handed down from generation to generation, my grandfather Nino (Antonino), the My uncles ( Ciccio , Peppe and Saru all immigrants) and my father ( Natu , picture).
craft now lost.
craft that was once one of the dl my country and economic resources of our area.
tools available sickle ( Runca ) and ax (facet). The chain saw (u serruni ) came later, who was able to do, saving great effort and streamlining the hard work.
U carvunaru could be considered as the operator ecological ( spazzinu ) of the forest. Why was the ring terminal of a chain of deforestation controlled. The first woodcutter who drew logs from the trees ( chianche ), then transport can be carried by oxen ( paru you) and mules. The differences that were not used for trade in timber and coal were used by.
first act of coal was the place where the wood was turned into coal, ie coal (pit the carvuni ). This was a plan ( chianu Pit) located in a site sheltered from the wind, the worst enemy of the charcoal, and rarely at the bottom of a valley. You always looked at the foot of a mountain or hill, near a river for three reasons: 1
. the wood was thrown or carried by hand and then downhill was easier,
2. was protected from the wind
3. as we will see because the water is an important element for the processing of coal. The
plan was done with the digging picone (PICU ) and spade (shovel) transforming the chosen area in a horizontal level almost perfect. The diameter of the plan was variable and dependent on the amount of wood used by 5 m to 10 m.
were saying all that was left by the passage of the woodcutter was used by carbonaru . The wood was treated with a Runca facet and that is divided ( rrimundatu ). The pieces of wood so produced had a length of roughly m sections ranged from about 2 to about 12 cm.
The wood was delivered or launched chianu pit. This played a key role women. Once on
chianu is positioned at the edge of the wood chianu same. The arrangement was circular ( rrotari ( fig .1) with an upward trend of the diameter of the wood from the bottom up. We began to prepare the grave itself, an example of fine craftsmanship.
At the base of the pit were placed in bundles ( rrami ) and above them were available and organized the pit. The usefulness of rrami , too 'their waste products, it was:
1. because the wood was in contact with the earth
2. because it was a sort of mesh that did not hinder the passage of smoke, all for having the highest yield in the processing of wood into charcoal. The wood in contact with the ground and turned ( maturari ) and stayed for part of smoked wood ( marruni ). The marruni were valuable for cooking frittuli that were parts of the pig (nose, feet, ears, etc..) That were not used for the production of sausages. The marruni had different qualities and some of those that were not produced and the flame that burned slowly. As seen in these two examples in poor societies was used throughout, there was no deficit.
the center of the pit was placed on the chimney composed of large logs ( ccippi ) the length of 50 cm and placed one above the other, leaving the center empty. This was a real chimney as seen in the roofs of our homes. He had to resist the force exerted fresh log afterwards placed on it. This was one of the skills of carvunaru . The chimney was not built in its entirety but rather it led to higher level than the first layer of wood that supported them. The wood that was leaning at an angle and was placed vertically, outside to inside. Once you reach the ideal level of the first layer of wood they proceeded to complete the chimney. He put the wood on the first level and then on until the completion of the pit, placing the wood with a decreasing diameter from the inside out until all of the same ( FIG .2). An important skill was to be less space between the pieces of wood to another.
Then he proceeded coverage. It is covered by material available. The place and time was very important. In the summer we worked more in the mountains and ferns were used much or failing that they used the leaves of the forest of beech trees were abundant. Winter moved to warmer climates and used turf with green grass or moss. This produced a gap between the wood and earth. The earth was made from the bottom up and always fought with a spade. Once the pit was covered with wet earth and from above with a fully equipped bar that was typical of the blade ligno . This was a masterly piece of tree trunk shaped by carvunaro up to the shape of an oar, but a bit 'more often. Once you stop and compacted earth they proceeded to set fire. It left open the top of the chimney and from there on. He often used a typical piece of pine wood with high resin content (in deda ) who once set fire lasted a long time over it and they put dry branches. It covered the top with big blocks and then the cavity and the earth ( FIG .3).
holes are bored on the top of the pit at a distance of about 60-70 cm. about to release the smoke when the smoke turned white cover and practiced other lower holes and always up to the lower limit of the pit. The pit was still under surveillance to prevent it could be areas free from soil and so ignite. It happened very often in the vicinity of the holes are formed concavities. this was a sign that the wood burned and charred under. At this point he took off the ground and placed the wood in sosituzione and covered ( civare ). The morning and the evening was wet and the pit stop.
When the flame went out the last hole was a sign that the pit was cooked. It is covered with Earth and the holes left from two to five days to cool.
A sign over the exit holes of the fire pit for cooking was another feature as the lower limit was forming a step. He proceeded to
scarvunari or to remove the coal. The land was placed at the edge of the plan to be reused the next pit. Prior to extraction of coal was bathed for two reasons one to temper the same coal and make it more flexible and the other to turn off any outbreak of fire.
The outside was more brittle because it was made of wood thinner and had always advocated for by the constant beating of fossa. The middle part, and a wide area, consisted of pieces of wood and charred whole. It looked like the pit but instead of being freshly prepared green was black. These were placed outside on the earth that was removed from the ditch. The inner part was composed of coal bigger. After this operation proceeded
all'insaccamento. They were jute bags (the bags Zambara ) from the variable capacity from 40 to 60 kg .
she first large pieces, in addition to these pieces of smaller dimensions, the so-called charcoal ( Cinesa ) properly sifted, to cover the spaces left between the workpiece and the other so as to compact the bag. So up to the edge where you can still put the long pieces to avoid any loss of the coal. Were tied with string that was passed through the holes at the edges of the bag by a small branch pointed ( piruni ). And here ended all the work of 7-15 days.

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rules and descriptions of the games of our childhood

rules and descriptions of some games are taken from:

the shade of the pines
Constantine Scutellà
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____________
Broschija
Two or more players. A piece of wood ( to bat ) robust, round and about 70 cm .. Another wood ( broschiju ) about 15 cm long. It pointed at the ends. Small pit on the ground ( marreja)
draw for those who will indicate how the game: a corpuscular in mpizzu, sword, etc. u biccheri. The drawing shows how
.

corpuscular A:
u broschiju marreja put in, in an oblique way, is touched by the bat that the spins in the air. At this point the ability of the player is able to bash it u boschiju with the bat, so scaraventalo as far as possible. The player who sends u broschiju farther. Distance is measured with the bat.
A mpizzu
u broschiju is stuck for a bit to the edge of marreja. You hit violently with the bat. Vince who send u broschiju farther.
U biccheri.
u broschiju It lies above the clenched fist of one hand and the contralateral holding the bat. You throw it up and you hit with the bat.
A sword
It makes u broschiju behind the bat, locked in his fist, he threw himself into the air u broschiju and strike with the bat.

____________
Palorgiu (top)
Wrapped in Lazzati (string) is thrown to the ground palorgiu u (top of the timber) to corpuscular (tossed with a sharp blow to tiralazzu (by running off to less violently Lazzati ). A corpuscular corpuscular could be pulled to above (with the tip pointing upwards, and a corpuscular sutta with the tip pointing downwards. While u palorgiu turns it takes on the palm of the hand, passing deftly between the index and middle fingers and whether or not you appreciate the goodness of palorgiu: if he eats, it feels heavy, but if he does not eat , feels light and ndavi fin (light as a feather).
U palorgiu greatest of others, with a big toe, is defined Cardara.
palorgiu smaller U is defined pirogina.
The game is more characteristic of the circle.
Two or more players put a coin in the center of the circle or a stuppaijo (crown cork) that we need to get out by hitting it with the tip of palorgiu. The player who manages to take the money out of the circle, has the right to give the agreed Picun (strokes with the tip of your palorgiu to the opponent) with the aim of breaking it.
Another variant of the game is to put u palorgiu of players at the center of the circle. In this variant, the game was more fun because you could hit the opponent hitting palorgiu with the shot.
The wickedness of the children was always to have two palorgi available to the fin (ie, calibrated) to shoot, what to give the picks with the Cardara.

____________
singa
indefinite number of players. It is a track on the ground Singh (two perpendicular lines of length 80 cm)
All are in possession of a coin, or a variant of the poorest stuppaiji (stoppers). From a Distance, everyone pulls, trying to get closer and closer to the point of attack singa. The way how to launch the first time is determined by the player who was chosen at random, then subsequently who was the first. These were defined according to the player's position and the way that the coin was thrown or stuppaiju.
Depending on the position: A
ncùcchjiu (feet together)
hip (with one leg bent forward)
Gàngila (standing, one leg bent so that one foot resting on the knee of 'ee currency other leg (ou stuppaijo) is launched through the space created between the two legs)
Ngja (legs apart, with folded side).
According to the coin toss. A
firriu (or stuppajio money was taken from the index and thumb and it was spinning to center. O cilu (money was to be rolled)
? Another term that comes to mind
The ranking is determined according to the distance of its currency or by stuppaiju singa.
Who is closer takes all the coins, scrusci (TRAR bangs his hands, causing the typical noise) and throw them on the ground. Each coin or stuppaiju showing (ESTI) are the brim of his property. The rest (not esti) is left in the second repeating the same oprazione.
When there is only one coin is firrijata (with spin) in the air.

The same rules applied when it was used instead of the singa the wall of a house facing the street.

____________
Battimùru
Two or more players, in turn, make a coin fly on the wall of their property. The player who sends the money near the opponent, takes possession of it. The distance between a coin and the other must fall to an extent previously agreed upon by all players. Busca calls (about 18-20 cm. Of any material found on the field)

____________
Manna
Two teams form them different (from 2 to 5) elements each.
draw for those who ncozza sutta. The team raffled
ncozza sutta (you have to row in the form of a train, back and lowered his head wedged between the legs of the companion that precedes it). The leader puts his hands and his head on the mother, who is sitting neutral element and regulates the game, when there is no leaning against the wall. The other team jumps back to the unfortunate and it must remain above, in equilibrium, without touching down to earth for a time previously established.
If one of the players are tired with the weight supported, it can mean manna, and the whole team is forced to go down and before the appointed time. The game resumed, then, with the sex mode. If the team is riding commit violations, the situation is reversed: it will be the latter to 'ncozzare other to assemble.

____________
to get on a
indefinite number of participants in the game.
is giving away the player on whose shoulders will skip all the other components.
The draw will have a position that sees him with his back bent forward, head bowed and hands resting on his knees, so that they support the weight of the players who take turns to jump on his back. Any player who jumps
mentions the numbers by repeating the following rhyme:

a mount
the two ox three
the Princess
the four scavenger
five porter
six pil ... .... sunnu the seven mei
the tab (at this point jumper from a kick in the ass while jumping)
eight biscuit
nine passes with clubs and horse leaves its boundary
ten steps of the horse clubs and resumed his belt.

The player who is wrong minds sutta (you have with your back bent), replacing the previous one.

____________
Vìziju
This is the game of the talus (the bone of the tarsus of the ox-like a die with more sides). It launches a
viziju and depending on the face shows that there are several possibilities: among others there is what allows the game to determine who takes many shots, when you leave the crazy, with a knotted handkerchief must receive the loser.

___________
Mmuccia
Corresponds to hide.

___________
Cchiàppa
The game involves several elements.
The draw needs to catch the other participants trying to reach out and take (cchjappari) someone.
One who is reached and got in turn chase the others.

___________
Castéja
Two or more players build castles made of a walnut base with three walnuts or chestnuts topped with two others. The spacing is determined by Castéja Baju (chestnut or walnut biggest used for launch. We draw to determine who runs the game (indicating the distance and the way of the shot.
The methods are similar to that of singa.
The current player, took aim, shouting ssillarò if it remains, launched the Baju trying to hit and throw most of Castéja.

___________
U Campanaru
Game for both sexes, which is to draw on the floor (down the street at the time) a series of panels with gypsum (pieces of brick or coal) to form of bell tower on which they had to jump with one foot in cells with single and two doubles in the boxes without touching the lines and taking the piece of stone or brick previously launched on the numbered going forward and back numbers from smaller ones high.

____________
Cili-cult
a slope is created with various materials. It would slip (cilari, where cult-cult) nuts one by one. Who could have touched her hazelnut with others, came into possession of the latter.

___________
Gronkowski and ponchos, quantu launches.
you have to guess how many nuts or chestnuts in his hand he held an opponent. If you guessed the number was if they came into possession.

___________
gilormu Patri.
She pulls a lot in a group of participants, the draw is patri gilormu. The game takes place in a square.
Patri gilormu has his home that is a rectangle drawn on the ground in varying degrees. Exit bounded by the lines, his home, saying the sentence Nesci patri gilormu and with one foot on the ground and the other bent to keep that position. In her hand a knotted handkerchief chases the other participants to hit them.
If the second foot rests on the ground the others are starting to hit him until he took refuge in his house.
If it hits one of the participants automatically becomes both his son and return home.
When leaving both patri gilormu must always pronounce the sentence Nesci patri gilormu fighiju cu know the name of the prisoner and always with one foot resting on the ground. The game ends when all participants have become children of country gilormu.

____________
Chiappa and free
formed teams (3 to 5), the team draw will be appropriated in the house. From
qesto departed to catch the others just by touching them. Each prisoner was brought into the house and guarded by some members of the team, while the rest proceeded to the capture of others. We watched the prisoners because other independent glia could release them only by touching them.
It ended when all were captured.
So you start another game with another team.

Chiappa and mmuccia

U schiaffettu

U cucuzzaru

I quatretti

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Delianuova Every time I come I'm going to find two of us who had the courage to stay, thanks to their intelligence, ability and tenacity, building something that gives prestige to our country.


Complice the Aspromonte National Park, Antonio boat has not left the mountains. Nothing was gone from its rivers, in the winter months, with terrible force flowing towards the Mediterranean so close and yet so far. Today, Antonio can go up, every day, as he was a child, plans Carmelia, geological terrace under the pyramid of woods and rock Montalto, the highest peak, almost two thousand meters of this last mountain on the continent Italy. Yet only a few years ago, Antonio, 40, had a suitcase ready: he could not do for a broken back, the carpenter. Theresa Marie Italian ( Teresa ) his wife, was already Treviso. Everything was ready to leave the country, Delianuova, and migrate, like thousands of others, to the north. But this, fortunately, is a symbol of new stories Aspromonte, one of many possible stories of the rebirth of this mountain: Antonio at the end with courage and happiness, has reverse, decided that his future is still here. Upstairs, in the beech forests of high altitude, between the rivers of pebbles smoothed by water, among the countries that cling to the stone, including snow, for months and months, rebels against the sweetness of the Mediterranean and whitens the Aspromonte. Antonio has become one of the guides of the Park. And, with other young people (and Aldo Diego), has established an association of nature tourism. Three boys, in this extreme periphery of Europe, have decided that it is worth trying to live in an extraordinary land.

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by Republic
In
tip of Italy

Compare Saro told me one night: you hear in the woods? (Intra-or those who feel Boscu?) I said, I feel the wind (u Sentu ventures). He says, fool, this is water (idiot, chiste ie water). He was right, there was a torrent. At dawn he was there, in the right place to fish for trout.

outputs are the stars and Antonio boat, owner, builder and operator of the shelter plans Carmela share in 1260, tells how he learned about the Sacred Mountain of the Calabrian. The Aspromonte, tall as an ocean liner in the endless sea. Antonio has done it all. He found the land and build the shelter with more than twenty beds. Today he's back ruined by fatigue but does not complain, he is happy to live up here. He lit the fire at the table is his wife Marie Thérèse Italian, there is Diego Festa, driving down from heaven for which I adjusted the Mickey Mouse and his friend Joseph Lorenz that reached me as a hawk from Catania.

The car is outside in the fresh, dirty and happy. "My father taught me and I will be appearing to know the mountain, with no maps to move at night listening to the sound of water, to find the dens of martens, dormice to chase after the Feast of the Dead. Ah, the dormice! They are a delicacy, more delicate flesh of the world ...

I learned everything from child saw acorns on the ground and I knew if he had bitten the dormouse, the mouse, the dormouse and the jay. This is my world, my life. "For a moment he falls silent." But it's tough up here, Paul. You do not know how hard it is.

The doves and crows are starting. Emigration resumed great. But I said no, I did not start, I have invested everything I had here. This mountain is a wonderful resource for young people of goodwill. But almost no one helps me. Do you think that one day he came here, the President of the Danish Parliament, with their children and a sleeping bag. E 'was mesmerized by the place. I'll see an Italian politician who does the same thing? ".

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Pedavoli 60 years

by Augustine (Gustino) Palumbo '58 class emigrated to Chieri (pedavulitu)

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Hello Franco, I send you this document. Delianuova They are almost all immigrants from the United States including my grandfather.
Anyone can 'do some research of any relatives who emigrated to the USA from late 1950 to about 800, just go to:
http://www.ellisisland.com
Nino Palumbo (u figghiu the rroccu pulimenu or Piripiri) emigrated to Chieri (pedavulitu).

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ADVICE ON GAMES

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The years passed between big games, were not present video games, PCs and all the advanced technology.
Our mice were the limbs (upper and lower).
displays squares.
Our games were:

Chiappa and cow
Chiappa and free
Muccia
gelormo Fathers. The Manna

broschiji
Unu the mountain. I checked

U palorgiu
ball mbelenata
I stuppaji (there were not deaf)
parties or palluni (Manganeji the fields and in Livareji paraforio) (a Pedavoli?)
E nuciji
U viziiu (using a bone of ox)
O bell
A potigha (the store)

ask if you tell me all the rules and other games that do not remember.

Cazi curti ntoppati and all gross and so many barrels, a Syrian mancu to cinniri ndi facivi diventarà jianchi.
All this summer.

The winter snow was expected to get in and eat scirubetta vijiaruni.

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Papalia thank Grace (my sister) so that you will read.

The territory of the town of Delianuova terrace extends to an area of \u200b\u200b21.04 sq km, the center of the Valley of Duverso, and dominates the plain of Gioia Tauro protected from behind by the Aspromonte massif. Two ancient towns, and Pedavoli Paracorio, costiturono single administrative entity in 1878 and in accordance to the origins of the new municipality called Paracorio Delianuova.
The origins of the two settlements from the time of the Saracen invasions, between the eighth and tenth centuries. The refugee Tauriana, a town on the Tyrrhenian coast between Palmi and Gioia Tauro, founded Pedavoli; the refugees of Delia, in the valley dell'Amendolea, of Greek origin, Paracorio. There still exists a twinning between the towns of Bartlett and geographically Delianuova and has been strengthened thanks to the ancient path of the two seas that unite the two towns through plans to Carmelia fiumara dell'Amendolea. During religious festivals and fairs, deliesi used to participate in the celebrations of the residents of Bartlett and vice versa, maintaining this for thousands of years old legame.I first documents on these settlements date back to 1050-1064, when the name Dapidalbon, village barn, Pedavoli is indicated. Even the name Paracorio (settlement near the village) has clear Byzantine origins. For almost two hundred years were rural villages in the county of Ruffo di Sinopoli, briefly went to the estate of S. Cristina and remained under the rule of Spinelli until 1806. The great "fracellu" of 1783 that destroyed Pedavoli was rebuilt, while Paracorio razed to the ground, was moved from its original site in the present. Even Delianuova the economy is based on the cultivation of the olive, which dominates the landscape up to 650 meters above sea level. The olive harvest, from November to May, is now with the use of networks placed under the plants, while in the past was done by harvesting by hand. Are cultivated with good profit legumes, vegetables and mixed vegetables. Feature a variety of white bean called "pappaluni" already described by P. Flower in his Illustrated text of Calabria in 1600. There are few farmers who grow the grain, corn and rye grain called "jermanu" that a great dark bread and sapore.In area was thriving with the breeding of silkworms, and with it the culture of white mulberry, mulberry and dark art of weaving, so as to cite his work in the Barrio of the second half of the sixteenth century, the excellent materials produced in Pedavoli. An old mill, active until the second half of the nineteenth century, was behind the house where he was then constructed Need a movie theater, later transformed into local ristoro.Lungo around the old town can be seen carved in stone architectural pieces green was also used portals to create beautiful art of stately homes: Need Palace, the Main Palace, former home town of Pedavoli, the portals of the two parish churches, Palazzo Rosso, Palazzo Bellantonio, Licastro Palace, Palace Caminiti, Malara Palace, Palace Edwards, almost all on the Corso Umberto I ° upstream of the town in inaccessible places are the ruins of the Basilian monastery of St. Marina. It reflects the presence of a system of small monasteries arose at the end of the first millennium along the slopes of Aspromonte. The 1783 earthquake destroyed the ancient church of S. John Pedavoli on the floor of the cemetery, which still remains. It was rebuilt but the church of the Assumption, in the center of the town of Paracorio, with neo-Renaissance style façade and porch, bell binary with the interior with a nave and side chapels. It underwent restoration after the last earthquake in 1908. Inside, there is a statue of the seventeenth century and a wooden statue of St. Joseph. On the altar there is a large painting of the Assumption of the eighteenth century. The Feast of the Assumption is held on August 15 but the festivities begin July 30. The parish church of St. Nicola Pedavoli ancient, built in 1590, destroyed by several earthquakes, was restored in 1940 and consecrated in 1999. It houses a statue of the Madonna and Child Gaginesque the sixteenth century, a column portacero of the fourteenth century, a wooden statue of St. Francis as well as numerous altars. Among the most representative public buildings suffer Palace stands out for its high architectural quality and the local green stone portal. Here the composer Francesco Cilea, guest of the family suffers, he composed the famous opera Arlesiana.L 'nature is a unique aspect to the already impressive cultural heritage, ancient trees survive here among pines and oaks. A few kilometers from the town stands a well equipped picnic area on the Plans for Carmela. Continuing on the road towards Cerzaballo at about 1300 meters, you come across huge boulders, "giants" which is tied to a legend.

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Delianuova

Panoramic photos of Delianuova, pine cones doctor Tornatore (Paracorio) and Scerri (Pedavoli)

Seeing these pictures brings me to mind many memories. I think that gives you that feeling. We remember those moments together in our virtual community.