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------ dawn that coffee was "night and day" via De Rossi was full of customers. They went cold, the wet months of November already predict the cold December near were railway workers, seamen, craftsmen, workers of the company Larocca, tomatoes, salt cod, peaches in syrup. They still face the taste of sleep, the smell of the homes from which they were enchanted and that air of early morning.

------ The coffee smelled of rose oil, rum, of "whispers", long toned cups of coffee liqueurs from oranges, lemons, tangerines. The railroad men took their hats fell well on the head, their coats which seemed buried in waxed to win the cold streets, stations, trains .. They were great storytellers of their journeys, their locomotives, the heavy work. The fireman complained to put for hours and hours of shoveling and shoveling coal into the mouth of the fireplace to get more pressure on the steam boiler. When you do not go by train, dressed neat and clean, but to look good on the face were still signs of blacks, the traces of carbon that soap of Marseille, while used in abundance, could not clean. He dreamed of being able to drive him the locomotive was getting tired of putting more coal than the driver's gaceva pull the rope long sibilant whistle of the train. He had great But compared to his boss, a great big man, a giant, almost as powerful locomotive, entrusted to his strong hands.

------ said that he was happy when, on the flyover of Corso Cavour, he saw many children suffering from pertussis wait. He was convinced then that this ailment is cured with the smoke of the train. And the sick and their families, asndavano to lurk where they spent the ten. With the cold weather or hot sun, with the heavy rain or snow, slow s'appollaiavano those kids on bridges, on overpasses, in the places where the steam trains of the long white sprigionarsi.Il enveloped them in its grip, on their visit , we put it all to slow down the speed of download steam train as he could: to bind, in tonic healthy, children nested on those steps required. They were all wrapped in shawls and scarves and cloaks, parents and grandparents next, and the driver to empty all the steam possible for curled up in the mist and water saving. Then when the train resumed speed, young people and families from the bridge with scarves and coats, arms raised high, hailed the railroad that had given them a lot of smoke. ------ The fireman, that always dirty coal, he said yes, his head was fine and good, but also had a big ass like that. People are twisting a bit of coffee 'mouth feel foul-mouthed those words, but almost all were involved in those gossipy chatter of early morning, the day probably had to be heavy, and some 'gossip did not hurt. The fortune of his driver was to make the trains arrive on time. Ten minutes late? Never is, sir. And not even a minute, not even a second, his train, at the appointed time, he was invariably at the station. No, it was not luck, it was not even train the organization of time that the convoy was to arrive on time. He had invented a contraption, a contraption he had built himself. The railroad, he said, are good, very good, but he was superbravo. "We before entering the train - he said - we must make the" masterpiece ", namely that the evidence must show the ability and readiness of the aspirant. "When that confronted the driver test, did a thing but a thing, a thing so great that all ... then asked what he had done. The fireman was still a bit 'confused, then exclaimed: "Buh." And uncontrollable laughter broke out in the cafes full of people.

------ The fireman continued however to say that, because of its wizards, his boss knows he invented what devilry: inserted at the appropriate time and the locomotive purchased the speed necessary to make them superarwe delays. He was smart, that engineer-inventor. Once he had set the locomotive upside down, but had not found out what that invention was he did get the train in orario.E concluded: "It was more a matter of ...", and he repeated the word that shocked the visitors early morning coffee" night and day. "

_______________________

Maurogiovanni Vito - "La Gazzetta del Mezzogiorno" of November 13, 2006

How To Edit Pokemon Games On A Mac

So dies a theater
Abelian Where was the back shed

Ladies clean sweep in the silence, some workers take away the last of the theater furniture Abelian. What was the headquarters is now unrecognizable. It remains a sort of skeleton, made of walls, black goat, a hole with a diameter of several meters in the center of the stage.
short, the theater Abelian, after 32 years, there is no longer in its historic setting. And this morning, at 10.30 am at the entrance, the chairman of the theater Abelian, Vito Signorile, handing the keys to the owners. At the same time, be returned to the cooperative abelian group the eighteen months in advance plus a share of the improvements that were made to the premises of what was once a warehouse, a warehouse fruit. All for a total of 70 thousand euro.
Vito Signorile, reached in the province of Brindisi, in Mesa, where he is shooting a film with Sergio Rubini, explains: "We took away the play equipment, we have dismantled the fire resistant panels - said Master - fire doors, the instrumentation the control room and all over the stage. "
Eviction for termination: This is the motivation. Two years ago he was notified by the judge and the eviction of the theater Abelian obtained an extension to stay in that seat for another year. "We were hoping for a further extension - Master Vito says - but there was nothing to do. We have lived through very difficult times and, Fortunately, the mayor, the provincial government and other theaters have shown solidarity "Al Teatro Piccinni
, in fact, will host an important part of the season," Actor "and other performances will be held in the new theater form, in one of the anonymous GR and the auditorium of the multipurpose Japigia. In short, all programming is safe. But already you should think about later, in a year. "It will start, as the institutions were announced - said Master - a voluntary subscription, which would bring together public and private, to build a new theater. We asked to locate a public ground for new headquarters - said Master - possibly a Poggiofranco. You know, most of our lives in a thousand subscribers and Carrassi Poggiofranco and find a home in these parts is important and strategic for us. Tomorrow (today, for the reader, ed) we return the keys to the owner: the deadline was for July 31, with a penalty provided for each day of delay of 1500 €. We anticipate a day and close this situation is not pleasant. " The various panels
fire retardants, the flame retardant curtains and armchairs, will be largely adapted to the new theater. The hope is that local authorities give a hand, that any collection of funds is made early and be successful. Otherwise a good cultural experiment might really die. Stay
to see what the future of the now former headquarters of the theater. The urban destination provided for the slaughter of that building to create a green area. But 32 years ago was an act of submission signed with the Municipality, which is still valid, provided that the transformation of the shed in the theater. Where the local authority had decided to build green, he could have cut down the theater without the owner or operator could oppose.
_____________________________
Manlio Triggs - "La Gazzetta del Mezzogiorno" of July 30, 2009

Prices Of Amf Bowling

Goodbye Mr Murat
change Skin your city

yyyy the metamorphosis of the neighborhood Murat, who started early and has never stopped, we record a replacement building that is happening these days. Demolished two buildings of the early twentieth century, the company Contemporary Gravina is building a new building, on Via De Rossi 203 and 205. There were two buildings of poor workmanship, with prospects without frames or friezes and plaster (as would be the authentic character of Murat) and then painted with lime, yellow and then red. In place of the existing first two levels, enclosed in tall buildings of the seventies and other elevations, is being built over 5 floors of a building on the ground floor, 20 meters high, the highest technical standards that allow the land use plan in Murat. And that makes it impossible all 7 cubic meters per square meter allowed index for manufacturability in the area, but the operation is equally rewarding, in a real estate market with its price makes a mockery of the economic crisis.
yyyy Therefore, the single statement "must be important" that the designer, engineer and architect Maurizio Passannante Giuseppe Cirillo, go looking in the choice of materials. "The plaster is very poor for a building of merit in an area of \u200b\u200bvalue - say Passannante -. We therefore decided to cover the facade with the Biancone Trani, in large plates. Trani stone is a beautiful material - he explains - it's our building material par excellence. " A variegate the surface of stone, two or three materials. The glass for windows, stainless steel for the five pilasters that the ground will reach the bulk of the crowning cornice, separating the theories of balconies with railings or parapets blind (but the project is still evolving, white aluminum or large stone slabs to cover the railings?).
yyyy the engineer Passannante we learn that the stone surface is roughened, perhaps with vertical stripes, as in Andidero building (designed by Petrignani) via Venice. But more likely will be hammered, "says the designer ignored - in the approach of stone and metal - an important precedent, a few blocks from his yard. It was 1964 when the architect Vito Sangirardi via Cairoli finished building in the headquarters of the Banco di Napoli, covering the facade with stone Bisceglie treated with the mouth end and cover with aluminum golden pillars.
yyyy The city is constantly generating a self-image and to do this contradictory changes and retains its identity, which belongs even the skin of the buildings, with its smells and its materials. Transformations that are induced sometimes by cultural conformity, as - at these latitudes - the claim to the role of a Stone prim'attore. Passannante The engineer has to his credit the recent construction of the building, always in the Murat, in Melo 10 to 14. Even then it was the demolition and replacement of a period building and there have been timid resistance from the Technical Office of the City. As a Melo still aluminum and glass balconies, travertine marble but instead Trani limestone to cover the base. Looking at the above does not need to be enthusiastic about what he announces in Via De Rossi: No flicker of invention or want to read the context of a contemporary language. To explain what we mean, we call into question the Moodmakers, young designers from Bari in 2002 led the then Councillor Donald Wood to warn about the dangers - for the preservation of the historic city - hiding in the planning of ultrafast processes, that of supergod that does not wait for permission
yyyy Stone of the scandal was, in fact a replacement building in Via De Giosa 101-103. A building for housing to be built on the demolition of a dilapidated testimony of Murat. As is standard (the supergod) the new building - completed in 2004 - repeated silhouette of the old and volumertria, but its architecture is decidedly contemporary. Designers (Marcello Mininni, Philip Capodiferro, Giuseppe De Giosa and Marica Laperchia) worked with awareness on the subject of history, recognizing and reproducing the essential features of a building Murat, including the Prospectus, the difference between a stone base and a top face plastered. The translation with a dictionary now in this "rule" has resulted in shifts in the direction of the field: travertine walnut color was chosen to cover the ground floor and first floor while the upper levels a corrugated aluminum skin panels that hint at the surface plastered below. Discrete trace a history of building more honest "poor." __________________

Nicola Master - "La Gazzetta del Mezzogiorno" dell'01 July 2009

Thank You To Reverend For Funeral

When Massari square stood the "royal door"
And then the church, an inn and a butcher

A square, located in a central district of Bari Murat, is entitled to the name of Giuseppe Massari, who was a major nineteenth-century character, which was written on several occasions in these pages, that still does not seem necessary to dwell on him, whereas it is more appropriate to make mention of some of the many interesting news on this square, which are perhaps not known to most people.
Worth remembering, for example, that, until the early nineteenth century, along the row of buildings ranging from the castle and the palace of the Prefecture, ran a piece of the ancient walls and, at the point now where the flows road that runs alongside the garden Isabella of Aragon, stood the main gate of the city, called "real" or "Napoli". The wide area in front should definitely be free of obstacles that could prevent the view of the soldiers responsible for ensuring the safety of the town.
Looking through the remaining volumes of the conclusions of the University, we learn that, at its meeting on 25 February 1513, it was decided to rebuild the port said, as he had ordered the Duchess, and that, first, it seemed to find the sum of 100 ducats, as are necessary to perform the work, and it was also decided to pay a certain Casamaxima de Cola, who owned a garden at the center of the area concerned, and such Imbembo Luca, owner of a shop located nearby; Hieronimo de Bitonto would made by cashier and not de Cola. Hercule would be above the work.
In the space in front of the door, he could then be, at most, a modest little house, like that in the years following 1534, was demolished by Giovanni di Guevara, and provided for the reinforcement of the fortifications, saving only a picture of the "Madonna of the window," which was in fact protected and a display cabinet that was moved inside the walls, where now there is the church of Santa Maria degli Angeli called just "window."
addition, the content of some old parchments lets you know that, to the thirteenth century, the area of \u200b\u200btoday's Piazza Massari, contained a church and a hospital in St. Leonardo, an inn and a butcher, and that there are two roads branched advertising directed at neighboring countries.

______________________

Vito A. Melchiorre

"La Gazzetta del Mezzogiorno" of June 19, 2009

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First City Council Bari 148 years ago

aaa How many know the history of the City and the mayors of Bari? The City is the oldest institution in the city of Bari Taking as its starting point the era in which historians remember him as "a Roman town, now more than two thousand years of life. Annals of Tacitus, the great historian relates, that, in 66 AD, the Roman Senate in a town hall relegated Silano dell'Apulia called Barium, making it a little later in his slaying fortress.
aaa There is also a historical record for the city of Bari, Bonazzi published by Pompey in 1806, which states that the city became a municipality in the year 427 since the founding of Rome, that in 326 BC, under the consulate Petilio of Libo and Papilio Cursor. The municipal affairs of those times are rather unknown and much less are those that occurred during the invasions of Gothic, Byzantine, Lombard and Saracen that followed until the early Middle Ages.
Aaa The historians have handed down that the 1009ci was a revolt against the Byzantine Empire, led by Melo of Bari, which ended with the defeat at Cannae Melo and his death in 1020 at the court of the Emperor of Germany . The City has continued its history with its statutes and its own organs, even in the transitional period between medieval modern age. This document are the commentaries and papers of the city archives with details of names of mayors and other municipal judges. This is also documented in the "Red Book" and "Great Paper." Until the eighteenth century the city was ruled by two mayors, one representing the nobility of the other nation primary.
aaa third class that emerged in 1798 that gained its own representation in the administration of the city, which became three mayors. In 1806 the French occupied the throne of Naples and King Joseph Napoleon reorganized all the municipalities of the kingdom's ancient statutes abolishing and reducing the number of local mayors to one. Things remained unchanged during the reign of Murat and the Bourbon kings restored in 1815.
aaa A final change came with the national unity of Commons when life began to be governed by the law October 23, 1859, issued after the union to Piemonte and extended to other Italian regions. This law the previous structures were abolished and the administration was formed by City Council, the council and the mayor. The first municipal council of Bari occurred June 9, 1861. Except for the brief interruption of the Fascist period, during which the bodies of the City were replaced by a mayor, assisted by a council, this order did not change.
aaa The first mayor of Bari occurred in 1346 and was a member of the nobility: Call Nicholas de Piltro. In 1416 the nobility was the exponent of a united people. This system lasted until 1 April 1798, when the city had three mayors representing the nobility, the bourgeoisie and the people. They were Zeuli Diego, Matteo and Giuseppe Colucci Triggiani. In February 1799 there was a committee of the municipality in which the presidency was taken in turn and this lasted until May 19, 1799. Then there was a renewal of the Board and the three mayors since 1800, were renewed annually. Since 1806 the number of auditors was reduced by one and then always remained such.

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Vito Colavito - "La Gazzetta del Mezzogiorno" of June 9, 2009

I Am A Pregnant Escort

DI MARIA DE FILIPPI:


Amici di Maria De Filippi or simply Friends, is a talent show of Channel 5 aired from 2001 (first edition Italy 1) and is currently now in its ninth edition, hosted by Maria De Filippi . All week airs recorded the daily strip, which shows the most important moments of the day. On Sunday afternoon (Saturday afternoon until the seventh edition) is live on television, led by De Filippi. Initially called Fame (the name was changed during the second series on issues related to copyright of homonymous TV series), this reality is a school that participates in a class of about 20 pupils, especially choice, with between 18 and 25 who aspire to become singers, dancers of Jazz, Hip Hop and ballet or actors (only the first edition, musicians and presenters, also only the sixth gymnast ). Competitors follow year-round classes in various subjects with their teachers. Are taken from the cameras during the year and staying in a hotel .
The program is divided into two phases: the initial phase, from September to January, in which the artistic skills of aspiring professionals are improved and judged exclusively by teachers of their subject, and the final phase, from February to April, in which the progress of the finalists is totally entrusted to phones and mobiles.
Although the program is immediately established itself as a breeding ground for new talent, in the course of several years has taken hold more or less clearly a trend toward a spectacle: the division of students into teams rivaling the deployment of teachers for one or 'Another participant (losing much professionalism from the beginning that had characterized them), provocations during the week and recorded a comeback in the final show, etc.. have burdened the fresh character of the first editions. Several criticisms have been made by some journalists invited to the studio, but were promptly put to rest on the ability of the presenter rhetoric, Maria De Filippi, which would seem to confirm the desire to make a real program originally a mere commercial product.
in European television networks circulates a program whose original format, Pop Idol, was created in the United Kingdom (ITV1 ) for the 2001 television season / 2002. It was later exported to other countries: United States ( American Idol ) France (Nouvelle Star), Germany (Deutschland Sucht den Superstar, also led by Michelle Hunziker ), and in other countries such as Russia, Serbia, Kazakhstan . Unlike the corresponding European Broadcasting, which focuses on the artistic evolution of the singers, Amici di Maria De Filippi is characterized by increasingly multidisciplinary, ranging also in dance and acting. It should be recognized that, unlike Pop Idol or Star Academy (similar format), the cameras do not fully invade the lives of aspiring dancers, singers and actors, but only in their school life. In addition, Friends as hard as a real school year from September to May. The fourth, fifth, sixth, seventh and eighth, however, lasted less: and the fourth ended in April 2005, the fifth in March 2006, March 2007 in the sixth, seventh and eighth in April 2008 to March 2009.



VIDEO IS IN 2 STAGES:



FIRST STEP:
The first phase lasts from the beginning of school until late January / early February. The school rules change from year to year: for example in the sixth edition (2006 - 2007) the class was not immediately made twenty-six students hold as in previous years but only considered worthy of sixteen children, identified by the Committee inside. Always a novelty in this edition is the last in the standings according to the televoting expressed by the public. In fact, he does not go in and do not challenge faces a test on all subjects as did students of the previous editions, while the first is not always sfidabile provided you comply with the rules of the school: a possible major defection may change the game mechanics, making the student liable to challenge . Also from
sixth year, the day of direct, on Saturday afternoon, the boys divided into two teams (Gamma and Delta in the sixth edition, the Sun and Moon in the 7th) they perform and are evaluated by teachers. The winning team is insfidabile. One or more members of the losing team will face the challenge with an external element on Saturday. This will also give the opportunity to kids who were rejected at the selection of test to enter the school. Both challengers are preparing for three different tests and a Commissioner outside, after three performances of each, determine who deserves to stay in school. Another novelty is the assignment of the sixth edition of "stars", that merit, following successful trials by the students. Among them is the time trial on Wednesday, for which children must learn in just two hours a dance, a song or a song played and then perform in front of the committee and to the class.
All week opened a televoting through which the public can choose their favorite pupil. The voting public entitlement to the assignment of share of stars. This mechanism is repeated in September (starting month of the school) until late January / early February, when we enter the final phase of a view. Some students requiring special or loved by the public will enter the final phase of the barrier without passing an examination.


or
FINAL EVENING:
When finished the initial phase, all students are faced with an examination of the barrier to enter the final phase, and those who do not pass are expelled from school. In the seventh edition rather spend the final phase, the so-called "evening", the first 14 students of the rating charts. He is immune from the trial of the classification rating of those who pass the exam in their subject and then winning t-shirt that gives direct access to the "evening". For each discipline is available to only one shirt. The challengers are no longer allowed outside, but each episode, through the mechanism of remote voting, two competitors will compete in tests of singing, dancing and / or acting. It is no longer a commissioner to judge external challenges, but the only audience at home. With this mechanism, the students are progressively eliminated, until the last episode, in which only a few students vie for the grand prize, consisting of a prize fund of € 100,000 (including a contract with Mediaset 1 year worth 50,000 €). In the seventh edition winner The program was awarded a prize of 300,000 €, but the competitor indicated by the jury of journalists and music critics (who won the "Critics' Award) is awarded a scholarship worth € 50,000. In the eighth edition of the prize money is 200,000 €, while the critics' award has the same last year. In this edition for the first time the winner of the program also won the critics' prize.



DURING THE YEAR RESULTS OF THE CHANGES ARE:


The program has undergone substantial changes during the various editions:
In the first edition (only during the run of Daniel Bossari ) the class was divided into owners and reserves and the reserves from time to time challenged the owners. From the second edition onwards, the class consists only of the owners, and who has not spent the previous selections can be a challenge.
In the first edition, the results of challenges were set by the teachers themselves, but due to controversy (due to allegations of non-objectivity), it was decided to entrust the outcome of the challenge to an outside inspector. In the first edition
categories of pupils were singers, dancers, actors, musicians and presenters. From the second edition have been abolished categories of musicians and presenters.
In the first two editions, the final stage, was in the last challenge the rankings with a rating that he himself chose between two students proposed by teachers. From the third year, teachers are the challengers who decide, in accordance with prescribed criteria, while the last and penultimate defy the so-called deal, which is less a challenge than normal, turning in the same evening, which decreed the release of another student. This mechanism in the following issue has been abandoned because they were defying the very question, as compared to the normal challenges.
From the second edition is introduced as a subject also ballet, gymnastics in the sixth (which remained in force only in that year) and this year there is also the category of singer-songwriters. From the second year
the final is aired on Channel 5 after the first had been sent from Italy 1.
From the third year, the final stage, the boys faced the challenge is closed in "houses", Big Brother style , where you think will better focus in preparing for the challenge. Those who are not in a challenge may be to visit one of the challengers only once during the week. From the sixth year, with teams entering the challenge during the evening, the houses have been abolished.
In the fourth edition, the final stage, the challenges have been introduced to three, consisting of three students, of which only one drop out of school.
In the fourth edition, in the final challenge, namely that the winner of the program, the last in the ranking of satisfaction could challenge those who preferred. The winner who in turn chose to challenge regardless of the index for rating and so on until you get to the winner.
In the fifth edition, the student must meet the challenge with an outside challenger is chosen from among five candidates: one proposed by teachers, one by the students themselves, and the last three on the customer rating.
In the fifth year, any child who is the last three times (though not consecutively) in the ranking of satisfaction must leave school.
From the fifth edition of the evening program also undergoes a change: the introduction there, behind the big screen of a real orchestra, conducted by Giuseppe Vessicchio that playing live to accompany the performance of boys.
In the sixth edition of the children are divided into two teams: Gamma and Delta. The leader of each team is chosen by the teachers and he will select the other members. The two teams will compete in the episode of Saturday afternoon and the winner will be immune from the challenges and will also have the opportunity to show its components. Conversely, the losing team will give up and the performances will be chosen inside the s possible / the challenger s
The sixth edition introduces the mechanism of the stars: the most deserving students each category are assigned the stars that accumulated in those assigned by the ranking of satisfaction, provide direct access to the stage night without incurring the dreaded examination of the barrier and without referring to the rankings, however, obtaining the consent of the teachers of their subject.
During the evening of the sixth edition of the children are divided into two teams, White and Blue: The winning team will be the name of a member of the team losing candidate for dropping them, which could be saved only by the rating and ranking in the final chance, the committee of professors.
Even in the seventh edition of the children are divided into two teams: the Sun and Moon. The mechanism is the same as the sixth edition.
In the seventh edition of the examination was abolished and was replaced by a dam on his review on membership. This exam is allowed only to members of the winning team who are first in their category in the classification of degrees. The successful completion of this examination, with the consent of all the Commission can get direct access to the T-shirt night, thus replacing the system of stars adopted in the previous edition.
During the evening of the seventh edition, teachers have expressed their preferences, clearly siding with one team, the White or Blue, the mechanism of elimination remained identical to that of the sixth edition. The eighth edition
the program keeps track of many new features, starting with the placement in the schedule of Channel 5 . Throughout the initial phase, in fact, the episode live conducted by Maria De Filippi will air on Sunday, from 14:00 to 16:30. The first episode Sunday, one in which 21 boys were selected and marked the beginning of the program, aired on October 5 2008. From October 6 2008, Monday to Friday, is aired daily strip the usual update from 16:15 to 17:00. It remains also the space through Saturday, this time conducted by the author Luca Zanforlin, broadcast by ' October 11 2008 from 14:00 to 15:20



Teachers:



Canto
Grazia Di Michele , singing teacher (Publisher: 3-4-5-6-7-8-9)
Luca Jurman , singing teacher (Publisher: 7-8-9)
Fabrizio Palma, singing teacher (Publisher: 4-5-6-7-8)
Pino Perris, singing teacher and music ( Publisher: 6-7-8-9)
Luca Pitteri , singing teacher (Publisher: 1-2-3-4-5-6)
Gabriella Scalise, singing teacher (Edition: 8-9)
Vessicchio Joseph, music teacher and head of the orchestra during the evening (Publisher: 1-2-3-4-5-6-7-8-9)



Dance



Mauro Astolfi, professor of contemporary dance (Edition: 8)
Rossella Brescia, ballet teacher (Edition: 2)
Alessandra Celentano, who teaches classical dance (Publisher: 3-4-5-6-7-8)
Garrison Rochelle, a teacher of modern dance (Edizioni: 1-2 -3-4-5-6-7-8)
Maura Paparo, hip-hop dance teacher (Publisher: 1-2-3-4-5-6-7-8)
Steve La Chance , teacher of jazz dance (Publisher: 2-3-4-5-6-7-8)



Authors and Contributors



Aldo Busi, general education teacher and behavior (Publisher: 3-4-5)
Jill Cooper, a teacher of fitness (Edition: 1-2)
Marco Castellano, who teaches fitness (Edition: 4 -5-6-7)
Giuseppe Giannini, coach (Edition: 2)
Monaco Mauro, author and head of production (edition: 1
Luca Zanforlin , author and head of production (Edition: 3 - 4-5-6-7-8) -2-3-4-5-6-7-8)
Peppi Nocera, the author (Editions: 1-2-3-4-5)
Riccardo "Chicco "Sfondrini , author and head of production (Publisher: 1-2-3-4-5-6-7-8)
Vertova Martino, who teaches glass art (Edition: 3)
Voglino Bruno, director of the school (Edition: 1-2)



Acting



Daniela Allegra, acting coach (Edition: 5)
Paolo Asso, acting coach (Edition: 6-7)
Rino Cassano, acting coach (Edition: 3-4)
Claudio teach, acting coach (Edition: 1 )
Fioretta Mari, a teacher of elocution and recitation (Publisher: 1-2-3-4-5-6-7-8)
Patrick Rossi Gastaldi , teacher Acting (Publisher: 2-3-4-5-6-7-8)



VIDEOS OF FRIENDS:

2003 Jeep Liberty Front License Plate Mount

Science is the "bride" and archeology in Puglia

A group of geologists from Ferrara Altamura to do analysis with the GPR. Watched the dinosaur quarry and the microclimate of Pulo

Onofrio BRUNO

ALTAMURA - Murgia was confirmed as a page of ancient history in the open. These days a team of scholars from Ferrara is conducting tests with the GPR on the rock outcropping in the quarry of dinosaur, and in May professors at the University of Vienna carried out studies on the microclimate in Pulo. With the discovery of dinosaur footprints at the Altamura Murgia has, for scholars and scientists an extraordinary book opened on the palaeogeography of the Mediterranean. As claimed by paleontologists and ichnologi (scholars fingerprint) the discovery of the quarry in the district Pontrelli Altamura is the most important and best preserved in Italy and in Europa.Gli studies have found that there are about 25 thousand or 30 thousand impressions of the Cretaceous, namely the Santonian, located between 83.5 and 85.8 million years ago. A huge field. On paleosuperficie are mainly herbivorous dinosaur footprints' ornithopods "with toed footprints, three fingers. And for this reason the site is included in the list of pre-applications UNESCO, the UN organization that protects the heritage of humanity. This year marks the tenth anniversary of the discovery. But it is closed to the public and is not usable. Although the studies are interrupted. And the steps are exposed to weather atmosferiche.E 'then a novelty in these days of the geologists of a society of Ferrara, authorized by the Superintendence for Archaeological Heritage of Puglia and under the supervision of the Archaeological Museum, are conducting studies on applications of GPR . The activities do not affect the paleosuperficie but the rock minerals and to study the stratigraphy through the latest technology available. The footprints will not be affected nor are withdrawals of rock. In practice, it is a test of the latest technology in this materia.Oggetto studies will be May 17-24, also Pulo, doline karst feature ten kilometers from Altamura. Teachers and students Univarsitaet fuer Bodenkultur Wien (Boku), the University of Earth Sciences in Vienna, will be in Matera and Altamura for studies microclimatologia with a system of remote sensing. The Pulo di Altamura was chosen because it falls within the Park of the Murgia and why, from a technical standpoint, is an "island in a negative climate", ie a place that has deep enough to allow the detection of specific conditions microclimate.

__________________________________________
Gazette noon "on line April 12, 2009

Spell Dark Werewolf Spell

Maurogiovanni
joys and sorrows

" Hidde C lu 188 "," Aminu Love ',' Chidd'alde day "and so: never finish more than list the works of Vito Maurogiovanni. Hello Vito, many memories, so many discussions, much love for the theater, has united us in the same spirit, to tell the city, through the theater. How much do you loved the theater, small theater, the ones that we have represented those who have worked thanks to your work, thanks for your visits. How many tips, how many secrets you told me of your life, secrets beautiful, all related to the theater, then how did you know you recount, no.
had her to write well, and I was able, thanks to you, to see your characters, your stories, your anecdotes. Dear Vito you will be missed, but will not fail in this town your plays, promised.
Dear Vito, among the many memories that bind me to you, one in particular, a Good Friday of 1993, we assisted with the procession of the Mysteries, you taught me to love it, understand it, told me: "See how you learn ... ... a historical pageant. " I said, "Vito is unlikely to ever be able to do a historical pageant." He prophetic: "You'll see, you'll see ...."
In 1994 I organized for the first time the historical procession of St. Nicholas. Vito Maurogiovanni prophetic. In the monologue of a play written in the '70s, "love and Sanghe contrabbanne," dedicated to the Petruzzelli theater, wrote: "They are beautiful colors of the scene in a theater, it seems the red fire, and seems to want to burn things and people" . Prophetic
Vito Maurogiovanni, years ago told me that he sent to the Piccolo Teatro of Milan, a play entitled "Yellow to the convent." This text ended up in the hands of a "certain" Umberto Eco. Quanche years after the same Umberto Eco published "The Name of the Rose." Dear Vito did you feel betrayed, I understand and I will continue to understand more and your soul of author, artist, man.
How many joys, but how many disappointments, when I could not get through your writing recognition for a theater to that of the "great experts" is standard B. The dialect, it has never been included in the theatrical calendar of institutions involved in distribution and circulation of theater, because it defined the series B. Today, all you remember (even some hypocritical) speaks well of you ... today. Why not yesterday? Why?
How many artists have taken me around when they decide to stage your work. I was saying: "Who makes you do, is the scene of heavy Maurogiovanni" or feel say, "But still lives Maurogiovanni?.
Yes, ladies and gentlemen, the Teatro di Vito Maurogiovanni lives and will live forever, like him among us, forever. I remember sitting in the ranks of "little theaters" as defined by many, but thanks to your work became "great". You said always: 'We think we speak in dialect and in Italian. This is our secret. "
I still remember your coming to the theater to watch your works with great joy and I remember when I was confident that the night did not sleep thinking about your world of actresses, actors, sets, costumes, music and stories of old men, women and loves ...

Gianni Colajemma
Actor, director, "Bari"
Artistic Director of Theatre Barium
__________________________
Letter to "La Gazzetta del Mezzogiorno" of March 30, 2009

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Christ Stopped at Eboli not to make the Salerno-Rc
Giuseppe De Tomaso

know why Christ Stopped at Eboli? To do the Salerno-Reggio Calabria. The joke may seem irreverent and blasphemous. But naturally arises after having suffered a tail of three hours because of work that began after the collapse of a landslide at Pizzo Calabro. Even under normal conditions the provincial capital of Calabria is not easy. Imagine that in emergency situations. Jonica The alternative, then, is a sort of gymkhana between countries and hamlets interspersed with streets crowded with traffic lights and multifi: exceed 50 miles an hour is a chance for the wallet, since the cameras are more numerous orange groves. Moral: starting from Bari to Reggio land, along the Ionian and avoiding the pitfalls of the speed control requires a period of about eight hours. Becomes first to reach New York. It should be better, at least in theory, opting for the Tyrrhenian, which corresponds to the Salerno-Rc. But if the Salerno-Reggio is a highway, then Carla Bruni is a witch: a blatant lie. Shipyards endless, narrow-track lane on rate: Sa-Rc on there you do not miss anything to make the trip to Reggio motorists more strenuous than an ordeal. So much so that motorists do not know that the road entrance to take in the Tyrrhenian Ionian motorway: in any case, the catch is guaranteed. Question: what kind of development can begin in a region, whose connections have not improved much compared to transport-shock of 1877 reported in the investigation conducted by two political journalists like Sidney Sonnino (1847-1922) and Leopoldo Franchetti (1847-1917)? Of course, now there's some way more, but in real terms, the gap between infrastructure the poorest region of the boot and the rest of the country, probably increased. Not to mention the gap in incomes, which does not tend to decline despite the Fund for the South and all other routine work, which had little of the ordinary because hardly assured the ordinary. Compared to Calabria, Basilicata and Puglia are the figure of Lombardy. Also on the planning and architectural, Puglia and Calabria are two different South. The construction of Puglia is a hymn to the masters of stone and construction, but neither is the torment urban aesthetic that humiliates the Calabrian coast and the hinterland. More than 20-30 meters in more than cubic, as required by the plan Berlusconi to turn the housing market. In Calabria we should knock down 70-80 percent of the buildings, we should design and build buildings from scratch. Only then could give the region of the Bronze Statues sole tourism brings money and development: the cultural, ranking ed'élite. But this, "snapped General Charles De Gaulle (1890-1970), is a vast and ambitious. The good, the bad words, is that no one invests money in Calabria, apart from the doors of Rome and the public place. Do not invest money that they did not even Calabrian billion fortune and the North, such as Versace. Even the clan of the 'Ndrangheta hijack their sensational gains in the land of origin: and think that in the history of capitalism is not insignificant slice of the collection after its debut in illegal criminal activity at some point decide to take the big step towards the social legitimacy and legality. Who were the greats of U.S. capitalism, the Rockefeller or Vanderbilt, if not the lords whose origins unscrupulous "employers" would blush faces more hull? In Calabria, however, does not move anything, or moves very little. And to think that this region would attract more visitors from Spain, since - as recalled by Marcello Veneziani in his latest book South, published by Mondadori - the North you go for necessities, while in the south of the world goes by choice, because the South are more beautiful, because they are kissed by the sun, magnified by the light. Natural Calabria is irresistible: a pearl of the sea and mountains. A charm. But also the land of Corrado Alvaro (1895-1956) fits the definition poignant saddled by Benedetto Croce (1866-1952) to its beautiful and desperate Naples, "a paradise inhabited by devils." Calabria is a paradise full of people - by some politicians colluding with a civilized society often tends all'incivile - refractory to the culture of legality, which, as everyone knows, is economic development such as gasoline is to cars. For without the fuel of the law no territory can begin. But back to the bomb. The Messina Bridge is fine. But the Straits should still get there. Maybe they'd just as other urgent works, starting from the Taranto-Reggio, aborted the 'hurdles' Palagiano. Just as the Salerno-Reggio should be modernized and, above all, removed from the subdivision of the thighs. Reggio Calabria is changing, it has a dynamic mayor and played well against Reggina in Serie A. But it's too little to fulfill the region lagging behind (!) In Europe. Nor can clear conscience more disturbing the inclusion of the capital of Reggio Calabria in the next 10 metropolitan cities. Poltronifìci I have never created wealth.

giuseppe.detomaso @ gazzettamezzogiorno.it 25/03/2009

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There is water for everyone, but not all
Gino Since

How many kilometers of aqueduct or sewer would be built with tens of millions of euro were spent in Istanbul to organize the 5th World Water Forum, to bring in the beautiful Turkish city thousands of ministers, officials, journalists, industrial managers, racks, and environmentalists also attracted by the great event, and to listen to, yet time, the same things for decades, wherever you read? Namely, that there are billions of people around the world, women, men, children, old people, who lack clean water, sanitation, toilets and sewers, while, as usual, a few billion people waste water and thousands of miles of aqueducts lose precious water? The accounts have been made many times: the water in the world has abundant solar energy, always the same, which keeps everything in motion on Earth. The water that "serve" for humans, Housing, to irrigate the fields, factories, must have a low salt content, the water 'sweet' of rain and snow that falls and flows on land , is approximately 40 trillion cubic meters while the water required by human activities amounted to billions of cubic meters per year, the rest flows through the valleys and rivers back to mare.Non may not be public - would then have water for everyone if the distribution of rainfall was not very different in different continents and had not even subject to change during the year. In many areas of the different continents - Africa Central, South-East Asia, South America - there are huge resources of fresh water in rivers and lakes and low population, however, that usually does not have water supply or sanitation to benefit from this wealth. There are many areas of the various continents - generally those countries 'industrial' - where the population is concentrated in large cities increasingly numerous and large, where the intense agricultural and industrial activities, the higher the demand for fresh water and the availability of water in rivers and lakes is limited. The solution of the water crisis must be sought in a distributive justice and here we are confronted with the first serious obstacle, that of "ownership" of water in the center of all debates in two ways. Who owns the water of a river as the Po, or the Danube, or the Amazon, or even a more modest as the river Ofanto or Fortore, which flows between different regions and countries? The title of the conference in Istanbul was just, "Roll out the bridges" between the banks and people that look out on the same river. No coincidence that Turkey, hosting the Global Forum, it conflicts with Syria and Iraq for the "property" of the waters of the Tigris-Euphrates river basin, the "great river" that extends into the biblical three neighboring countries. Who fetches water from a river for their legitimate needs of the water without those living downstream. Who pollutants discharged into a river makes the water unusable for the people of the same river valley. The solution lies in recognizing that the real political-economic unit in which they should regulate the distribution and use of water is the water catchment area, that area consists of all the valley with the main rivers and their tributaries, where water flows of rain and snow down to the sea. The distribution and use of water should be planned, decided and done by people who live in each area. Unfortunately for historical reasons also, each river basin is divided between various countries and administrative regions, each of which shall be considered "master" of his piece of the water catchment area. The State or the region upstream of a river basin has no duty to warn those who are in the valley will build a dam, which will pick up lots of water, which will fetch much waste in the basin. Often countries that share the same catchment area are in conflict. The "people Ofanto" - The solution could be sought in education to consider water as a common good of the people inhabiting the same basin. There should not the people of Basilicata and Puglia, but the "people Ofanto," or else the "people of the Danube" or "the people of Jordan" and so on. In principle it should be the State which undertakes the task of ensuring water for all by charging a fair price and the same. The 'water of the state "as a public service due to the public. In fact, states with a can (or can no longer) to perform this essential function and duty, and trust companies whose aim is not to satisfy the civil and human rights, but to earn, with the rates to cover costs addressed and boost profits. And where there is no "market" for there is not even earn an interest in the water to the people from whom one can not derive any profit. In recent weeks, the magazines and the media have shown children with heavy carts full of bottles of water or women with containers of water on the head by a wandering river to the houses or cabins. Who ever you want to invest that money to alleviate the fatigue of these people when this does not ensure profits? Even when the water "for all" is granted by the state or regional bodies a few euro cents per cubic meter to individuals that bottle and sell it to tens of euro per cubic meter?

"La Gazzetta del Mezzogiorno" - 03/25/2009

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Antonio Spinosa

storyteller

is dead journalist and writer (aged 86)

Augustus Caesar, Cleopatra, Tiberius , D'Annunzio, the Borgias, Edda Cyan, Napoleon, Pauline Bonaparte, Mussolini was always the great men of history, powerful and a bit 'controversial books to inspire Antonio Spinosa, writer and journalist who revealed to possess the gift of the adviser.
Spinosa died in Rome, where he lived, after a long illness. He was born in 1923 in Ceprano (Frosinone), and although his father saw his bad literary aspirations, clear right from the primary, spent years of his life to rediscover and reinterpret events and characters that have changed the world and Italy in particular. It was not a researcher, one who was digging in the documentation, but hardly a writer in beautiful style of characters already well known. But his first
vocation was journalism: After classical studies and graduated, had fallen in the passion for print, where he began a brilliant career that led him to be director of the new "Rome", the Agency Italy, the Gazzetta del Mezzogiorno "( albeit for less than a year, from November 1993 to August 1994) and Videosapere-Rai). A career that gave him the opportunity to also meet in person some of the greats of the twentieth century, including Sandro Pertini, John Paul II, Maria Jose of Savoy. In addition to having worked as a journalist for the Ansa Member, was special envoy of the "Corriere della Sera" and "Journal." From the latter head resigned to disagreements with Indro Montanelli and it was then that he began to write books.
Before his interest was focused on Napoleon and the times of ancient Rome - the first book on Pauline Bonaparte - and then advancing with biographies and essays in the contemporary political and costume from the first published by Mondadori and Rizzoli, always sign of a clear and easy to write that was his main talent and assured him luck in bookstores (but it has also won numerous awards including the "Premio Este", the "Premio Saint-Vincent and the Prize stand"; was also a finalist of the Premio Strega in 1996.
Spinosa explains his vocation to the narrative and history: "I write simple books. My writing is not sophisticated, but free and spontaneous. I do not call or letter or intellectual .. I'm not even a popularizer. The best definition is that of "storyteller." "I think I know how to tell the facts. Do not invent anything because I have little imagination, so I need the facts. " This need to have drawn up a story before he was unable to engage in the novel: "I've started many - admit - but I always come to the twentieth page dropped '

__________________

Elizabeth Stefanelli - "La Gazzetta del Mezzogiorno" of 02/02/2009

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Nicola Faenza, something now moves

a valuable testimony from Latimer

G them "appeals" that periodically launched by this column, sometimes they are hosted. A few weeks ago, hinting that all'opportinità approfondisse research modugnese musician Nicola Faenza (1842-1927). And something moved. Latimer wrote to me from Mrs. Victoria disgust, president of the House-museum of horror-Petrosillo Latimer. The great-grandfather of Mrs.
disgust, revulsion, the magistrate Angelo (1829-1907) was indeed "beloved poet and many of his poems were set to music by Nicola Faenza, over a friendly artistic partnership over many years.
Mrs. disgust led, for about fifteen years now, all the research available on merit, with the discovery of more than a score of 2004 and October prommosse a concert of songs found, in concert that took place in the house Latimer-museum and was replicated at Palazzo Jatta in Ruvo (family related to the Faenza).
concert - starring the tenor and the pianist Aldo Gallone Tina Fox-documentation remains a stimulating sound: it was actually made a CD that collects eight of live recordings made in part by P. Latimer Forleo and partly Ruvo, of course, by G. Jeff Smith, whose work "amateur" sio must now, while many real musical events in Puglia are not only delivered to the memory of those who attended. The tracks of Nicola Faenza are five: a nocturne for piano, and Romance (three texts Angelo disgust and a text by Giuseppe Apicella). Completing the album is also a piano piece Xavier Faenza (grandson of the composer), and two vocal works by Mercadante and Gastaldi (Faenza to reaffirm the relationship with the Neapolitan school of music and other composers time).
The CD is accompanied by biographical notes of disgust and revulsion Faenza drafted by Mrs. (much more so of a few lines at the time included in the "dictionary," Pasquale Sorrenti) and documented by a historical introduction and an analysis of the recorded tracks, treated with the usual jurisdiction of the musicologist and appreciated Pugliese Matthew Suma (author, remember, a beautiful volume on Mercadante, published by Schena in 1995).
Among other things, cites Mrs. disgust, Faenza always composed a hymn to words by Angelo shudder - "the majesty of King Umberto I of Italy", carried out in Bari on November 20, 1880. The event is documented a poster, but the music has lost track. The research by Victoria
disgust are very valuable, but certainly it can not be considered exhaustive, and who knows where, a few houses Bari of "good families" of the past, at least of those who prefers to keep in great detail the "old card" no ideas about anything!

Nicola Sbisà - "La Gazzetta del Mezzogiorno" - January 2009

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Robero from Bari
pride Chyurlia

U na main street of Murat district is entitled to the name of Roberto da Bari, who was a famous jurist of the thirteenth century, descended from the ancient and noble family Chyurlia of Greek origin. He held the office of Grand protonario the kingdom under Charles I of Anjou, which was held in high regard for the profound ulture and the sublime qualities possessed. To him, the king handed the thankless task of reading, in Naples, nel1269, the sentencing to death of the unhappy Conrad of Swabia, who - according to reports Massilla Vincent in his "Report on famiglienobili Bari" - he would have indignantly delivered to the address of Robert, the following sentence: "for in Parema Mentiris rustic quia non Habet imperium", an allusion the incompetence of King Charles, at the scene, it would be even lashed out at the protonatario and would kill him, but others said it was not true and that this was merely wounded Roberto, as documented her stay alive in the period following the episode .

also seventeenth-century historian Antonio Bari Beatillo took up the issue in the "Historia di Bari", claiming the second approach, because, in the church of San Nicola di Bari, was still evident in his day the tomb of Robert, adorned rma with family and with their inscription, located off the main door of the right wing, called the Lion Gate. " He was also given a long inscription, in which they cited his extraordinary merits. At present, the howl tomb is still preserved in the basilica of the lapidary, and the tomb of Chyurlia trace remains in another stone bearing the date 1742, fissta on the floor inside the church, when the first, which outdoors, was removed.

But returning to the consideration enjoyed by Roberto at Charles of Anjou, it must be said that this family was filled with benefits, even after the death of Robert. It was widely known fact that generous to the two grandchildren and Romanella Mabie, daughter of Roger son: the first gave the land as a fief of Montena in the province of Lecce, when she married Thomas of Belvedere, the second city of the province of Bari in Bitely, when her husband Bertrand, Viscount Tremblaio and Pavement.

Vito Antonio Melchiorre - "The Journal of the South" of 30/01/2009

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Music and words ....

The music of the song just makes me get out of bed and
with me in this little predicament
time I press the buttons as if they were notes of a piano during a beautiful song
I think the posting is that right now ..
between my thoughts and what I really live

drawing pictures in my mind that I would otherwise goder
regrets of decisions right or wrong
that changed the course of my life
between a glass and another between a
side of the pillow and the other
one minute that passes to the next
'm sad right now ...
but this is even better and I'll consume

maybe in a couple of hours
maybe in ten ... one hundred twenty-four or
I have someone close .. someone else will be away ..
but a heart beat is my ... ..
I get in my throat

I do not understand what it needs certainty .. and ... I need more and more and more
Yet another time I will turn my head, on the other side of the pillow
will try once again to close
eyes try not to think about

try to sleep I'll try again ....